For the love of art...
“While Roohi described the christening
of these paintings called The Needle, and reflected on the
pain she felt when
her parents passed away, I saw how deeply the loss affected her. The sadness
was insurmountable and it understandably surfaced in her works. That moment, as
I watched my dejected friend recalling her parents, who hailed from India, I
remembered mine who were forced to quit their home in Pakistan. The chants of
the Azaan and the reflections brought tears to ours eyes, and us even more
close.”
Even as I hear Manisha Gera Banswani
talk about her friend, the Pakistani artist Roohi Ahmed while taking me through
the austere but sharp works of the latter in her eclectic Gurgaon home, I can
sense that for the painter art is something that touches the soul, a calming
balm that she has secured a relationship with. Why else, would she narrate this
poignant story to me while talking about Roohi. Because somehow, when she sees
these works in her bedroom, she is reminded not just about her Roohi but also
about her own parents. In that, her ties are deep…
Spending a balmy December afternoon
with Manisha in her nest, accompanied by anecdotes from her sojourns with art,
artists, travels and life, can be quite an intoxicating reverie. Especially
when the strains of Ustad Amir Khan’s thumri and a warm homemade lunch heightens
the experience. To watch the painter in her studio poring over her latest
creations as you take in all the prettiness that the home contains, is
something I hadn’t experienced in a long, long time.
Manisha does not take credit
singlehandedly for the gorgeous collection of art the Baswanis have collated
over the years. It is a labour of love of her and her husband, Rahul, whose taste
and eye was honed as a child when he was growing up with his paternal uncle,
Ravi Baswani, the popular actor. “Their house used to reverberate with the
jocund
and intellectual repartee of theatre actors like Anupam Kher,
Naseeruddin Shah and so on. Rahul also was an avid collector from an early age.
So, while he hoarded Binaca toys as a boy, gradually the penchant attained a
more serious and antique shape as he aged, In lieu of marriage to an artist,
Rahul got exposed to the wondrous world of art,” explains Manisha pointing to
the swords and other antique gifts that her husband picked up while he worked
for the Young Presidents Organisation for 12 years. “Rahul once bought an
expensive Jamavar shawl because he wanted to but never used it. That troubled
me. I wanted to see it before me and so, took it out and laid it on the
bedspread like the way I’ve hung the exquisite phulkari piece that my great
grandmother made for my grandmother. Art needs to be lived with, not stacked
away.”
We cannot help but be affected by the
antique Pichwais, the sizeable owl memorabilia collection, the banana fibre
pieces from Kenya, the bowl of feathers (something that has piqued her creative
faculties more than enough) and a tray of shell installations that the couple
bought from a random shop in Goa. “We started collecting when art wasn’t an investment
and stopped when everything became so commercial. We chose artists who were yet
to be famous because we gravitated towards them out of love. That’s why we feel
so deeply about our collection that includes all kinds of names like Jeram
Patel, Gopi Krishna, Jyoti Bhatt, Attiya Shaukat, Nasreen Mohamedi, Aisha
Khalid, Sarbari Roy Chowdhury, Laxma Goud and FN Souza.” And, every piece of
work elicits a different feeling out of the house-proud lady, thoughts that
fill up the better half of our afternoon.
An artist who was mentored by A
Ramachandran, Manisha broke into the art aficionado’s
consciousness when 15
years back she started a project called ‘Artist through the Lens’ where she
photographed eminent artists in their private work spaces; a kind of intimacy
she enjoyed only because she belonged to the same fraternity and brought out a
version of the artist that not a regular photographer would be able to capture.
Along with the pictures she documented their conversations with her, an
exercise that everyone admitted will be of immense value in the future years. At college, in Jamia Milia Islamia, she also studied under
Paramjit Singh and Roobina Karode, and considered herself ‘blessed’ to have had
such great teachers. She studied French simultaneously, which turned out to be
a fortuitous decision that helped her to get an art scholarship
to Paris in
1991. She joined Indira Gandhi National Centre for the Arts (IGNCA) after her
return, to research the far-reaching influences of the 12th-century Sanskrit poem Gita Govinda by
Jayadeva. Rooted deeply in her Indianness, the artist’s works reflect her
ethnic and earthy fervour. However, there are the contemporary flickers that
appear through James Bond and Elvis Presley in her interesting canvases.
We notice a certain inclination
towards the miniature style in her paintings because of their intricacy and
finesse. She also has a knack to seek beauty in things that wouldn’t mass a
muster in our eye. A motley of pebbles, a raincoat from the Northeast, beehives
and wasphives… for Manisha, every single thing that affects her mind’s eye,
finds a place in her home, a space, replete with a bunch of chirping parakeets,
which has grown organically with its owners.
At Manisha’s home art and life
seamlessly blend to form a harmonious world. You hardly recognise
the point
that bifurcates the two. It’s a space where the artist feeds her soul. “I like
everything to be in a certain way so I am constantly curating the space. When
all are in sync, there is melody.” A beautiful thought to take us through the
day…
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